"⭐️⭐️⭐️⭐️⭐️ ...creating a chilling atmosphere through light and sound onstage, Christopherson delivers one of the creepiest performances at this years’ Fringe." -- Global News, Canada

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"⭐️⭐️⭐️⭐️ New York’s Jody Christopherson is a quintuple threat – playwright, actor, master of dialects, singer, and most distractingly impressive: An operator of the dreaded 'looper.'" -- Gig City Canada

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Christopherson’s captivating performance gives a palpable intensity to the heroines both onstage and onscreen.- Exeunt Magazine on AMP

 

Christopherson's attention to detail in bringing forth this historical tale is painstaking and impressive.  Her enunciation and dramatic acting is engaging and magnetic as she visually carries the entire show from start to finish.- Stage Buddy on AMP

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Christopherson herself is riveting in a demanding onstage role- Culture Catch

 

 The show’s delightfully glamourless protagonists, as well as its musical style, evoke Glen Hansard and Marketa Irglova’s Once, or an early Richard Linklater film. Christopherson’s dramatic scenes are witty

and poetic, while the narrative that progresses through Skype videos is close to cinéma vérité.- Theasy on Greencard Wedding

 

Jody Chrisopherson as Miss Mozart is a wonder. She is at turns gamine, churlish, heartbreaking, and utterly charming. - Plays to See, on The Other Mozart by Sylvia Milo

 

Powerful and evocative, Christopherson is by turns commanding, charming, and childlike in the role, embodying Nannerl’s search for identity, frustration with the rules she must obey, and deep-seated love for her family and her art.- Theasy.com, on The Other Mozart by Sylvia Milo

 

 Jody Christopherson delivers a winning performance as Nannerl (and the family members who talk down to her and stifle her dream). . . astounding from start to finish . . . high caliber . . . profound and excellent. Stagebuddy.com, on The Other Mozart by Sylvia Milo

 

Christopherson as Nannerl masks the frustration of this subjugation artfully, with winks and nods and the occasional outburst, including one guttural, primal scream that I assure you every woman in the audience felt in the pit of her being.- Culturebot, on The Other Mozart by Sylvia Milo

 

Christopherson admirably juggles, with humor and pathos, various voices, accents, and moods as she spins an intercontinental lifetime out of only her speech, movements - Culture Catch, on The Other Mozart by Sylvia Milo

 

With her expert comic timing, vivaciousness and most crucially an innate everywoman persona, Jody Christopherson as Laura is the dynamic centerpiece of the play. Ms. Christopherson breezily veers from tossing off one liners and zingers to conveying conflicting emotions.  She truthfully depicts a wife and mother grappling with pursing a career in politics with all of the intrusiveness that involves.  - Darryl Reilly, Theater Scene , on Primary by Gracie Gardner